Capture Method: Images

Above are two original photographs, with no cropping, noise removal, brightness or contrast adjustment. The photograph on the left was taken in the small room where I make all my image captures, and the one on the right was taken in the kitchen at home, as an experiment. The being in the left photograph seems to be singing, while the one on the right is asleep.

Below I explain the method I use to capture images.

I take a plywood board measuring 60 x 40 cm and cover it with silver foil paper, stretched very tight and fixed with adhesive tape on the back of the board. I lean it against a wall next to a window, resting it on a table covered with a white tablecloth, and I use the daylight from the window falling on the foil. I position myself between 1.5 and 2 metres away, taking great care that my own reflection does not appear on the paper. Holding a tablet, I wait for the images to form on the foil and photograph them. Little by little they form and fade, giving way to other images.

I began photographing in 2007, and until the end of 2012 I used different devices. Between 2007 and 2008, I used a Sony Mavica FD90 digital camera. From 2009 to 2012 I used other digital camera models and also mobile phones. Only from the start of 2013 until 2015 did I use a Samsung GT P6210 7.0 tablet.

Photographing with the tablet is excellent, because the device has a good screen and I can see the images forming more clearly. After photographing for roughly 5 to 10 minutes, I download the photos to the computer. Then I look at them one by one, separating the ones with the most visible images, and I crop them, adjust brightness and contrast, and remove noise. I use Microsoft Picture Manager and Paint.net to apply contrast and brightness and bring out the photos, and the programme Free Photo Noise Reduction to remove noise. Many of the beings take the opportunity to be photographed and appear very small and overlapping the larger ones. When this happens, after downloading the photos to the PC I usually remove them with the eraser tool of the photo editor, but I cannot always remove all of them.

Over time I have kept using the same board. It is a shelf from an old cupboard, and as for the foil paper, I always use the same type and change it two or three times a month. However, the contacts follow no rules. They can be made on a plywood board, on a sheet of polystyrene, on an iron or aluminium plate, and so on. Even the paper does not matter that much. It can be silver foil or another colour, and the photos or filming can also be done on water, steam, smoke, the “snow” of a television, and so on. Personally, I always use the same type of paper, reflective silver foil stretched very tight over the plywood so that it has no marks of any kind, which avoids any kind of pareidolia (pareidolia is a psychological phenomenon. It makes us recognise faces in any formation of light, shadow, objects or clouds that form the basic features of a human face).

Speaking of pareidolia, there is an important caveat that I record here: over the years I have stayed continually alert to these contacts. Let me explain. As for image capture, little by little I eliminated doubts about whether the images were real. At first I thought I might be capturing images formed by my own thoughts, or figures created by the light emitted by the device when photographing the foil paper, or even that I might have some psycho-emotional disorder. The same doubts also arose during the recordings, because I even thought it was my own voice recording the answers. However, as I established that this was not exactly the case and that life in the interdimension was a fact, I decided from then on to make the information I had obtained over time public.

Returning to image capture, an interesting fact is that some photos are extremely colourful, others have some colour and others are completely white. This has always intrigued me a great deal. Over all these years of contact, since 1992, and after analysing, studying, researching, reflecting and weighing it up at length, I formed an opinion and reached the conclusion that, in both the audio and the images, I have never managed to record a voice or a photograph that belonged to any human spirit.

That is why I believe the beings with whom I am in contact are not human.

In fact, the information I have obtained is that these beings inhabit an intermediate plane, that is, they live between the physical plane and the spiritual plane, and can move easily between both because they have a very subtle body. They differ from human beings because they do not go through the stages of physical death, spiritual life and rebirth as we do.

They are species known as nature spirits, which inhabit the immediate interdimension of our planet in its various levels and gradations of consciousness. There are therefore both benevolent and malevolent spirits, thousands of them gathered in large groups, from the dark ones who dwell in the depths or the unconscious, to the greatly enlightened or conscious ones (the angels among them).

Over the years I have learned only part of what concerns the interdimension, because there is still much to learn, especially about the procedure: physical death, spiritual life, rebirth. Apparently it is all very simple, very well organised and without any mystery.

I make it very clear that, if I do not make contact with the spirits of the dead, that does not mean that others do not. There are several transcommunicators who make these contacts, and they have greatly benefited those close to them.

However, in my view, extreme care is needed when making such contacts, because depending on the vibration we emit, it may reach the beings who inhabit the shadows, and this alliance may cost us too high a price. As examples I cite disturbances of every kind: mental torment, unexplained illnesses, moral and physical pain, large business losses, and so on. It is always necessary to remember that contacts between the planes are contacts between living beings, and some care is needed when dealing with living humans, both in this physical world of ours and among the species that inhabit the Earth’s immediate interdimension, because the spirits of the “dead humans” do no harm at all.

What matters, with regard to communication with the interdimensional plane, is to make the existence of these species or beings known as widely as possible. Above all, they wish to preserve the fauna and flora of our planet, and they work hard to do so.

As for the photographs, I personally believe that the beauty of these images lies in the eye of the beholder.